Ted Hope is one of the most respected voices in independent film. In 1990 he cofounded with James Schamus the production and sales powerhouse Good Machine. His 65-plus films includes many highlights and breakthroughs in independent cinema, including The Ice Storm, American Splendor, 21 Grams, Happiness, Martha Marcy May Marlene, and Adventureland. Known within the industry for ...(展开全部)

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

"Postcards from the Cinema" is the book Serge Daney, one of the greatest of film critics, never wrote. It is based around an interview that was to be the starting point for a book, a project cut short by Daney's death. Postcards turns a history of cinema into a profound meditation on the art and politics of film. Daney's passionate and lucid engagement with film, combined with ...(展开全部)

罗杰斯·普莱斯是东英吉利大学(University of East Anglia)的一名历史课讲师，毕业于斯旺西--威尔士大学的现代历史和政治专业。他发表了很多作品，包括1972年的《法兰西第二共和国：社会历史(The French Second Republic: A Social History)》，1981年的《现代法国经济史，1730~1914 (An Economic History of Modern France, 1730-1914)》，1983年的《法国农村的现代化(The Modernisation of Rural France)》, 以及1987年的《19世纪法国社会史(A Social History of Nineteenth Century France)》。

罗杰斯·普莱斯是东英吉利大学(University of East Anglia)的一名历史课讲师，毕业于斯旺西--威尔士大学的现代历史和政治专业。他发表了很多作品，包括1972年的《法兰西第二共和国：社会历史(The French Second Republic: A Social History)》，1981年的《现代法国经济史，1730~1914 (An Economic History of Modern France, 1730-1914)》，1983年的《法国农村的现代化(The Modernisation of Rural France)》, 以及1987年的《19世纪法国社会史(A Social History of Nineteenth Century France)》。

The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based...(展开全部)

The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based...(展开全部)

The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of G...(展开全部)